tathā cōpapurāṇāni munibhiḥ kathitāni ca । mahāpurāṇānyētāni hmaṣṭādaśa mahāmunē ।। 24 ।।

Chhaya is click here normally referred to as the mom of Shani, the planet Saturn, and the god of karma and justice: a feared graha; goddess Tapti, the personification of river Tapti; goddess Vishti , the personification of Kala; along with a son Savarni Manu, who's destined to generally be the next and eighth Manu (progenitor of mankind) – the ruler of another Manvantara period.[2]

Chhaya is often a time period that retains substantial importance in Indian culture and philosophy. usually translated as “shade” or “shadow”, it signifies the two a Bodily and metaphorical concept in numerous areas of everyday living. on this page, We're going to explore the origins of chhaya, its role in Indian believed, and its manifestations in literature, art, and everyday life.

पाश्चात्य काव्यशास्त्र प्लेटो का अनुकरण सिद्धांत

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खड़ी बोली हिंदी की खड़खड़ाहट को दूर करते हुए रागात्मकता को स्थापित किया गया।

आद्यं सनत्कुमारोक्तं नारसिंहमथापरम् ॥ १,२२३.१७ ॥ तृतीयं स्कान्दमुद्दिष्टं कुमारेण तु भाषितम् । चतुर्थं शिवधर्माख्यं स्यान्नन्दीश्वरभाषितम् ॥ १,२२३.१८ ॥ दुर्वाससोक्तमाश्चर्यं नारदोक्तमतः परम् । कापिलं वामनञ्चैव तथैवोशनसेरितम् ॥ १,२२३.

1) Chāyā (छाया) will be the spouse of Sṛṣṭi: among the list of 4 sons of Dhruva, in accordance with the Vaṃśa (‘genealogical description’) on the 10th century Saurapurāṇa: amongst the different Upapurāṇas depicting Śaivism.

मातरं पितरं तस्मात्  सर्वयत्नेन पूजयेत् 

हिंदी साहित्य का इतिहास साहित्य इतिहास

यह सामग्री क्रियेटिव कॉमन्स ऍट्रीब्यूशन/शेयर-अलाइक लाइसेंस के तहत उपलब्ध है;

The impact of these Shastras prolonged over and above India, influencing metalworking methods in other historic Asian cultures. Despite some historical Shilpa Shastras getting missing eventually, there stays empirical evidence of Highly developed metallurgy and steel artwork in historic India.

Chāyā (छाया).—A substitute of Saṃjñā, daughter of Viśvakarmā. Saṃjñā obtained from Sūrya a few small children, Manu, Yama and Yamī. the warmth of Sūrya, her partner, grew to become unbearable to her and so she developed a substitute in her exact kind and leaving her to look right after Sūrya, her husband, she left the place and went to her father. Sūrya didn't know of the replacement and using her to become Saṃjñā he manufactured a few small children by her, Śani, Sāvarṇamanu and Tapatī. Chāyā cherished her sons additional which produced Yama indignant and he lifted his legs to strike her when Chāyā cursed that Yama’s legs would slide off from his physique.

लहर प्रसाद के सर्वश्रेष्ठ प्रगीतों का संग्रह है इसमें निम्न कविताएं संकलित है :